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【 24/08/19 】Reading Group "ART SINCE 1900": 1930b|バタイユの造反するシュルレアリスム
【 24/08/05 】『流れの中で』読書会 #11<第9章|近代(モダニテイ)と同時代性――機械複製とデジタル複製> 
【 24/07/22 】Reading Group "ART SINCE 1900": 1931a|シュルレアリスムのオブジェ
【 24/07/08 】『流れの中で』読書会 #10<第8章|グローバル・コンセプチュアリズム再訪> 
【 24/06/24 】Reading Group "ART SINCE 1900": 1931b|ヨーロッパ絵画と彫刻と「不定形」
【 24/06/10 】『流れの中で』読書会 #9<第7章|リアリズムについて>
【 24/05/27 】Reading Group "ART SINCE 1900": 1933|メキシコ壁画運動
【 24/05/13 】『流れの中で』読書会 #8<第6章|クレメント・グリーンバーグ――芸術のエンジニア>
【 24/04/29 】Reading Group "ART SINCE 1900": 1934a|ソヴィエト社会主義リアリズム
【 24/04/15 】『流れの中で』読書会 #7<第4章|革命的になること――カジミール・マレーヴィチについて>
【 24/04/01 】Reading Group "ART SINCE 1900": 1934b|イギリスの彫刻

#wiq

Yasuto Masumoto called us recently on March 10 and asked if CAMP would like to contribute to Charley magazine. Yasuto is an artist and we featured him and another artist Meiro Koizumi in one of our exhibitions at CAMP. In February, he founded a collective called "Collective Parasol" in Kyoto with a group of artists and curators. They were given four pages to contribute to the magazine, and gave one of the pages to us.

CAMP's objective is to reflect on various issues on contemporary art through collaborating with artists, curators, critics, researchers and students, and organizing various events including talks, exhibitions and parties mainly in Tokyo. Our website, which contains the archive of past events, is only in Japanese (sorry). However, rather than introducing our past activities here, we are making an attempt as following.

We have asked all the participants of CAMP to post their answers to the question, "what are important questions for you?" to Twitter in English. To read the posts, you can search "#wiq" on Twitter (or http://wthashtag.com/wiq). If you have an account, you can add your own comment or make contact with the participants.

We look forward to creating interactions and discussions with you.